唐珍收藏
拍品编号：0004
估价：GBP120,000—160,000
成交价：250,000
拍卖时间：2019-11-06 上午10:30
拍卖地点：伦敦
拍卖公司：伦敦蘇富比
简介：A FINE AND RARE GUAN-TYPE RIBBED VASE
YONGZHENG SEAL MARK AND PERIOD
of elongated pear shape sweeping up to a slender neck and a flared rim， decorated to the body with six evenly spaced raised ribs， covered overall with a lustrous， thick bluish-grey glaze suffused with a matrix of russet and icy crackles， the unglazed footring dressed in a dark brown slip， the base with a six-character seal mark in underglaze blue
Condition Report
There is a 0.3 cm shallow chip to the base of the footring.
中文内容仅供参考，请以英文原版为准。整体品相良好，仅底足处见一约0.3公分浅细磕。
"In response to your inquiry， we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers， we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed， professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective， qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale， which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT， ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
我们很高兴为您提供上述拍品状况报告。由于敝公司非专业修复人员，在此敦促您向其他专业修复人员索取咨询，以获得更详尽、专业之报告。
准买家应该检查每款拍品以确认其状况，苏富比所作的任何陈述均为专业主观看法而非事实陈述。准买家应参考有关该拍卖的重要通知（见图录）。
虽然本状况报告或有针对某拍品之讨论，但所有拍卖品均根据印于图录内之业务规则以拍卖时状况出售。
Cataloguing
Provenance
Sotheby's Hong Kong， 28th and 29th April 1992， lot 84.
香港苏富比1992年4月28至29日，编号84
Catalogue Note
The elegant form of this vase， with its globular body gently tapering at the neck， and its parallel raised ribs， provides a perfect canvas for showcasing the subtle pattern of crackles on the thick and unctuous glaze. In both its gracefulness of form and sophisticated glaze， this vase is an archetypal example of Yongzheng monochrome porcelain and reflects the Emperor’s penchant in celebrated Song dynasty （960-1279） wares. His enthusiastic patronage of the imperial kilns in Jingdezhen and thorough knowledge of China’s porcelain tradition， resulted in the emergence of a profusion of new porcelain shapes and colours.
The fabled guanyao （‘official wares’）， made especially for the Southern Song dynasty （1127-1279） court in Hangzhou， was held in high esteem by countless generations， including the Manchu Emperors of the Qing dynasty. While reproductions of these early wares were first made at Jingdezhen in the early Ming dynasty （1368-1644）， it was under the Yongzheng reign that they reached a peak in both quality and quantity. The Emperor is recorded to have commissioned such reproductions， and to even have sent to Jingdezhen original guanyao vessels from the imperial collection. The elegant form of this piece was most likely inspired by guanyao pear-shaped bottles， but was given a contemporary look through its flat foot and gently tapering neck. A guanyao bottle vase， later inscribed on the foot with a Qianlong poem， in the National Palace Museum， Taipei， was included in the Museum’s exhibition Obtaining Refined Enjoyment. The Qianlong Emperor’s Taste in Ceramics， Taipei， 2012， cat. no. 30.
Vases of this form and proportions are unusual， although a related vase with more prominent crackles， from the Avery Brundage collection， in the Asian Art Museum of San Francisco， is illustrated in René-Yvon Lefebvre d’Argencé， Avery Brundage Collection. Chinese Ceramics， San Francisco， 1967， pl. LXX， no. A. See also a slightly larger guan-type vase of this form and with Yongzheng mark and of the period， sold at Christie’s New York， 19th September 1996， lot 305； and another sold at Christie’s London， 18th June 2002， lot 66.
Vases of this form are also known in other monochrome glazes inspired by Song dynasty wares； a flambé-glazed vase in the Palace Museum， Beijing， is illustrated in Qingdai yuyao ciqi [Qing imperial porcelains]， vol. 1， pt. II， Beijing， 2005， pl. 131. A vase of related form covered in a robin’s egg glaze， in the National Palace Museum， Taipei， was included in the Museum’s Special Exhibition of K’ang-hsi， Yung-cheng and Ch’ien-lung Porcelain Ware from the Ch’ing Dynasty， Taipei， 1986， cat. no. 54.
此瓶器型典雅，瓶腹浑圆，瓶颈修长，饰平行弦纹， 突显冰裂纹秀丽，釉质丰厚润泽。本品器型优雅，仿官釉莹润，属雍正年间仿古单色瓷之典型，从中可见雍正帝对宋瓷之青睐。雍正帝热心艺文，支持景德镇御窑，对中国瓷器传统学养深刻，所成瓷器纷呈新颖。
官窑器，特别为南宋位于杭州之宫廷烧制，历代深厚敬崇，满清皇帝亦不例外。仿官窑器，始于早明景德镇，雍正年间质与量均达顶峰，曾送御藏官窑珍品至景德镇为模范。本品器型，相信出自官窑梨形瓶，平足及修颈则更和当时品味。台北故宫博物院收藏一官窑瓶例，瓶足带乾隆御制诗，曾展于《得佳趣：乾隆皇帝的陶瓷品味》，台北，2012年，编号30。
本品器型及比例甚为罕见，唯可比较一例，出自Avery Brundage收藏，冰裂纹更为明显，现藏于旧金山亚洲艺术博物馆，René-Yvon Lefebvre d’Argencé，《Avery Brundage Collection. Chinese Ceramics》，旧金山，1967年，图版LXX，编号A。另比一例，尺寸稍大，器型相近，雍正年器并款，售于1996年纽约佳士得1996年9月16日，编号305；另一例售于伦敦佳士得2002年6月18日，编号 66。
此外，亦可比较取材宋代瓷器之单色釉例，北京故宫博物院收藏一窑变釉例，图载于《清代御窑瓷器》，卷1（2），北京，2005年，图版131；台北故宫博物院亦藏一例，施炉钧釉，曾展于《清康雍干名瓷》，台北，1986年，编号54。
拍品分类：陶瓷>清代单色釉瓷器
拍卖会：2019年11月拍卖会
拍卖专场：皇家瓷器-私人收藏
预展时间：2019年11月4日-5日
预展地点：伦敦
